All things are symbols
And their aerial neighborhoods of nests
Deserted, on the curtained window-panes
Of rooms where children sleep, on country lanes
And harvest-fields, its mystic splendor rests!
Gone are the birds that were our summer guests,
With the last sheaves return the laboring wains!
All things are symbols: the external shows
Of Nature have their image in the mind,
As flowers and fruits and falling of the leaves;
The song-birds leave us at the summer's close,
Only the empty nests are left behind,
And pipings of the quail among the sheaves.
The leaves were brown
When we came home across the hill
No leaves were fallen from the trees;
The gentle fingers of the breeze
Had torn no quivering cobweb down.
The hedgerow bloomed with flowers still,
No withered petals lay beneath;
But the wild roses in your wreath
Were faded, and the leaves were brown.
Like a letter put away
the blue heron
slept among the horses.
I do not know
the custom of herons,
do not know
if the solitary habit
is their way,
or if he listened for
some missing one --
not knowing even
that was what he did --
in the blowing
sounds in the dark.
I know that
hope is the hardest
love we carry.
He slept
with his long neck
folded, like a letter
put away.
Native with the warmth
Whose eye has seen the snow-clouds hung in mist,
And the black elm tops ’mong the freezing stars,
To thee the spring will be a harvest-time.
O thou, whose only book has been the light
Of supreme darkness which thou feddest on
Night after night when Phœbus was away,
To thee the spring shall be a triple morn.
O fret not after knowledge -- I have none,
And yet my song comes native with the warmth.
O fret not after knowledge -- I have none,
And yet the Evening listens. He who saddens
At the thought of idleness cannot be idle,
And he’s awake who thinks himself asleep.
Some of the oaken voices
Especially when the October wind
With frosty fingers punishes my hair,
Caught by the crabbing sun I walk on fire
And cast a shadow crab upon the land,
By the sea's side, hearing the noise of birds,
Hearing the raven cough in winter sticks,
My busy heart who shudders as she talks
Sheds the syllabic blood and drains her words.
Shut, too, in a tower of words, I mark
On the horizon walking like the trees
The wordy shapes of women, and the rows
Of the star-gestured children in the park.
Some let me make you of the vowelled beeches,
Some of the oaken voices, from the roots
Of many a thorny shire tell you notes,
Some let me make you of the water's speeches.
Behind a post of ferns the wagging clock
Tells me the hour's word, the neural meaning
Flies on the shafted disk, declaims the morning
And tells the windy weather in the cock.
Some let me make you of the meadow's signs;
The signal grass that tells me all I know
Breaks with the wormy winter through the eye.
Some let me tell you of the raven's sins.
Especially when the October wind
(Some let me make you of autumnal spells,
The spider-tongued, and the loud hill of Wales)
With fists of turnips punishes the land,
Some let me make of you the heartless words.
The heart is drained that, spelling in the scurry
Of chemic blood, warned of the coming fury.
By the sea's side hear the dark-vowelled birds.
Now intercedes for me
Spill the scarlet rain
With us every day
Oh! kangaroos, sequins, chocolate sodas!
You really are beautiful! Pearls,
harmonicas, jujubes, aspirins! all
the stuff they’ve always talked about
still makes a poem a surprise!
These things are with us every day
even on beachheads and biers. They
do have meaning. They’re strong as rocks.